Raphia 217 BC - A terrifying colossus

Historical background
 
After the death of Alexander the great his empire disintegrates in several parts, when each of his former commanders tried to take his share. Long years of war between them followed, known as the diadochi wars. After the end of this conflict two of this successor states (the Seleucid empire and Ptolemaic Egypt) started a new series of wars - the Syrian wars (6 wars, lasting with interruptions from 274 to 168 BC). In the 4^th war the battle of Raphia (modern day Rafah, near Gaza in Israel) took place and it was one of the largest of the whole conflict – especially famous for its use of war elephants on both sides (a rarity). The Seleucids used Indian elephants and the Egyptians smaller African forest elephants. The battle started with an attack by the elephants by both sides, but the Egyptian elephants on the left flank panicked before contact and were put to flight with the Seleucids persuing them, on the right flank the Egyptian elephants refused to move at all and only excessive cavalry attacks saved them from being overrun. The decision had to happen in the center by the phalanxes, where the Egyptians had the better end. This victory ensured Ptolemaic dominance over Syria, but not for long.
 
The moment depicted is the attack of the Seleucid elephants supported by some light infantry on the Egyptian right flank. Egyptian cavalry tries to stop their advance, but have extreme difficulties with penetrating the heavy armour of the beasts.
 
 
The diorama
 
The figures are from Zvezda and this elephant also deserves a seperate praise - perfect work! I added a little detail in creating a convincing throat (only slightly visible), some small gaps between the parts had to be covered with putty. The colouring of the elephant was the same problem as in the Zama diorama, but owing to the armour not as much skin had to be done.
 
The elephant is according to Zvezda a forest elephant, but for the species it is too large. As the animal is covered with a lot of armour, it is exceptable for an Indian elephant. The mahout in front of the tower controls the movement of the elephant and the fighting crew tries to shield the flanks of the beast. Additional light infantry also has this job. The main function was the sheer might and weight of the elephant to disrupt the enemy lines, but it isn't possible to steer the animal directly into a wall of soldiers with spears to their front - the elephant simply stops or even worse he got afraid and turned and crashed blindly through his own soldiers. A scared elephant is hard to stop and the mahout carried a hammer and a chisel blade for this moment - to ram it down through the forehead of the animal as a final solution.

Photos (click to enlarge)

Video (Youtube)

Sources

Nicholas Sekunda - Macedonian armies after Alexander 323 - 168 BC (Osprey Men-at-Arms 477)

Nic Fields - Tarentine horseman of Magna Graecia (Osprey Warrior 130)

Konstantin Nossov - War elephants (Osprey New Vanguard 150)
Simon Angum, … - Fighting techniques of the ancient world 3000 BC - 500 AD

Granicus 334 BC - Alexander of Macedon

Historical background

In the year 334 BC Alexander III of Macedon (later called "the Great") started an invasion of the Persian Empire. The first encounter with a Persian army happened at the River Granicus near the ancient city of Troy (in modern day Turkey). Alexander bring about 37.000 men with him, the Persians between 20 - 30.000 - the armies are diveded only by the river. The objectivs differed greatly: Alexander wanted to destroy the enemy forces to show a position of strength and getting local allies, the Persians wanted to end the nuisance of a ridicolous Macedon invasion by winning the battle or even better by killing Alexander.  The battle opened with a clash of cavalry on the Macedon left flank, in which Alexander's troops gained the upper hand. While the Persians tried to reinforce the endangered area, a gap opened in the Persion line in which the Macedon infantry rushed in. This was the decisive moment of the battle and the Persions begin to flee. Alexander won his first major engagement against the Persian superpower and the Macedons were now a force to be reckoned with.

The moment depicted is an attack by Macedon cavarly spearheaded by Alexander himself and the attempt by the Persians to kill him in person.

The diorama

The first challenge for this diorama are the poses of the horses which are mostly in full charge and for a depiction of a close combat only of limited usefulness. With the right positioning of the horses and riders can this problem be largely solved. The figures are all from Zvezda, with only minor trimming had to be done. 

The second challange is the river Granicus in which the battle partly happened. I used MIG acrylic water clear and added different colours in different layers. The river banks are covered with some stuff from the railway department.

Photos (click to enlarge)

Video (YouTube)

Sources

John Warry - Alexander 334-323 BC (Osprey Campaign 7)
Michael Thompson - Granicus 334 BC (Osprey Campaign 182)
Jack Cassin-Scott - The Greek and Persian wars (Osprey Men-at-Arms 69)
Nicholas Sekunda - The Persian army (Osprey Elite 42)
Nick Sekunda - The army of Alexander the Great (Osprey Men-at-Arms 148)
Waldemar Heckel/Ryan Jones -Macedonian warrior (Osprey Warrior 103)
Nicholas Sekunda - Macedonian armies after Alexander (Osprey Men-at-Arms 477)
Christopher Webber - The Thracians (Osprey Men-at-Arms 360)
Nic Fields - Tarentine Horseman of Magna Craecia (Osprey Warrior 130)
Simon Anglim/Phyllis Jestice/Bob Rice/Scott Rusch/John Serrati - Fighting techniqes of the ancient World 3000 BC - 500 AD
Paolo Cau - Die 100 größten Schlachten